尹炯杰(jie)與李堅的莫扎特之夜北京站(zhan)演出信息(xi)

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演出名稱:中國愛樂(le)樂(le)團音樂(le)季交響音樂(le)會 尹炯杰與李堅(jian)的莫扎特(te)之夜

演出(chu)時間:2024年11月8日  周五  19:30

演出票價:480元、380元、280元、180元、80元

鋼琴：李堅

指揮：尹炯杰

演出曲目：

沃爾夫(fu)岡·阿瑪迪烏斯·莫扎(zha)特(te)：《唐璜》序(xu)曲(qu)

沃(wo)爾夫(fu)岡·阿瑪迪烏斯(si)·莫扎(zha)特：降E大調第九鋼琴協奏曲(qu)“熱納(na)米”，作(zuo)品K. 271

沃爾(er)夫岡·阿瑪迪烏斯·莫扎特：降B大調第二(er)鋼琴(qin)協奏(zou)曲，作品K. 39

沃爾夫(fu)岡·阿(a)瑪迪(di)烏斯·莫扎特(te)：C小(xiao)調(diao)第(di)二十四鋼琴(qin)協奏曲，作(zuo)品K. 491

*具體曲目請(qing)以演(yan)出當天(tian)為準

尹炯杰 指揮

“……尹(yin)炯杰具有極高(gao)的才華……他富(fu)有魅力(li)的指揮、對于音(yin)樂的無(wu)限熱情、從不懈(xie)怠(dai)的努力(li)，以及為取(qu)得出色結果(guo)的堅(jian)忍不拔(ba)。”—— 尼(ni)姆·雅爾維(wei)

“他的活力(li)(li)、成熟以及巨(ju)大潛力(li)(li)給我(wo)留(liu)下(xia)了尤為(wei)深(shen)刻的印象。”—— 雅尼(ni)克·尼(ni)澤-塞岡(gang)

“尹(yin)炯杰展(zhan)現(xian)了非同尋常的才(cai)華和個性……盡管年輕，他卻能從(cong)指揮臺上傳遞出一種與生俱(ju)來的權威(wei)感。”—— 迪馬·斯洛博德紐克(ke)

尹炯杰是當今(jin)最令人感到(dao)興(xing)奮(fen)的(de)(de)年輕指揮家之(zhi)一。在2023 年以當之(zhi)無愧的(de)(de)表(biao)現(xian)摘得第(di) 11 屆格熱戈日(ri)?菲特爾貝(bei)格國際指揮大賽桂(gui)冠(guan)后，24歲的(de)(de)他嶄(zhan)露頭角，迅(xun)速引(yin)起國際關注。在上(shang)述賽事中，由于對波(bo)(bo)蘭(lan)音樂(le)的(de)(de)出色詮釋，他同時獲(huo)得波(bo)(bo)蘭(lan)音樂(le)出版(ban)社PWM頒發的(de)(de)“最佳波(bo)(bo)蘭(lan)作品(pin)詮釋獎(jiang)”，以及“喬治(zhi)·塞姆科夫基(ji)金會(hui)特別(bie)(bie)獎(jiang)”和“伊麗莎(sha)白·潘德列茨(ci)基(ji)特別(bie)(bie)獎(jiang)”等多項表(biao)彰。

隨后，他首次亮相NFM 弗羅茨(ci)瓦夫愛樂樂團(tuan)(tuan)、波(bo)(bo)茲南愛樂樂團(tuan)(tuan)、西里西亞愛樂樂團(tuan)(tuan)和波(bo)(bo)蘭波(bo)(bo)羅的海愛樂樂團(tuan)(tuan)等，并(bing)(bing)立刻獲(huo)得再次合作的邀約；2024/25樂季，他將首度登臺(tai)華沙路德維希·范·貝多(duo)芬復活節(jie)音樂節(jie)，并(bing)(bing)迎來與(yu)阿(a)圖爾·魯賓(bin)斯坦愛樂樂團(tuan)(tuan)、波(bo)(bo)德拉謝歌劇院與(yu)愛樂樂團(tuan)(tuan)等多(duo)支(zhi)樂團(tuan)(tuan)的首次合作。

在國(guo)內，尹炯(jiong)杰與幾乎所(suo)有(you)主要(yao)樂(le)(le)(le)(le)團(tuan)有(you)所(suo)合作，包括國(guo)家大劇(ju)院(yuan)管(guan)弦樂(le)(le)(le)(le)團(tuan)、杭(hang)州(zhou)愛樂(le)(le)(le)(le)樂(le)(le)(le)(le)團(tuan)、廈門(men)愛樂(le)(le)(le)(le)樂(le)(le)(le)(le)團(tuan)等。自2023年9月起，他(ta)開始擔(dan)任中國(guo)交(jiao)響樂(le)(le)(le)(le)團(tuan)助理指揮。2024/25樂(le)(le)(le)(le)季(ji)，除繼續上述職位并執(zhi)棒中國(guo)交(jiao)響樂(le)(le)(le)(le)團(tuan)多場樂(le)(le)(le)(le)季(ji)音(yin)樂(le)(le)(le)(le)會，他(ta)也將迎來與中國(guo)愛樂(le)(le)(le)(le)樂(le)(le)(le)(le)團(tuan)、上海交(jiao)響樂(le)(le)(le)(le)團(tuan)、廣州(zhou)交(jiao)響樂(le)(le)(le)(le)團(tuan)、貴陽交(jiao)響樂(le)(le)(le)(le)團(tuan)等國(guo)內多支重要(yao)樂(le)(le)(le)(le)團(tuan)的首次合作。

此(ci)前，尹炯杰曾獲(huo)2021年第57屆貝桑松國際青(qing)年指(zhi)揮(hui)大(da)(da)賽“特(te)別提名獎”（大(da)(da)獎空缺）；2022年，獲(huo)評為中宣部“藝苑擷英”中國十大(da)(da)青(qing)年指(zhi)揮(hui)之一。2024年7月，他受邀前往愛(ai)沙尼亞參加雅(ya)爾維(wei)(wei)指(zhi)揮(hui)大(da)(da)師班，并在尼姆·雅(ya)爾維(wei)(wei)、帕(pa)沃·雅(ya)爾維(wei)(wei)父子創辦的(de)帕(pa)爾努音樂節(jie)上，指(zhi)揮(hui)雅(ya)爾維(wei)(wei)小(xiao)交(jiao)響樂團成功演出愛(ai)沙尼亞國寶級(ji)作曲家(jia)阿沃·帕(pa)特(te)作品(pin)，備受好評。

尹炯杰曾先后畢(bi)業于中(zhong)(zhong)央(yang)(yang)音(yin)(yin)樂(le)學(xue)院(yuan)附中(zhong)(zhong)和中(zhong)(zhong)央(yang)(yang)音(yin)(yin)樂(le)學(xue)院(yuan)，師(shi)從(cong)指揮(hui)家陳琳女士和陳冰(bing)女士，目前(qian)為中(zhong)(zhong)央(yang)(yang)音(yin)(yin)樂(le)學(xue)院(yuan)研究(jiu)生在(zai)讀。自2024年(nian)5月起成為國際頂級經紀公(gong)司HarrisonParrott伯樂(le)藝術全球代(dai)理(li)簽約藝術家。

Jong-Jie Yin
Conductor

“……Jong-Jie Yin is amongst the most talented……his charismatic conducting, boundless enthusiasm for music, unremitting efforts, and persistence to achieve great results.”—Neeme J?rvi

“I was very much impressed by his energy, his maturity and his huge potential.”—Yannick Nézet-Séguin

“Jong-Jie demonstrated exceptional talent and personality……Despite his young age, Jong-Jie transmits a very natural authority from the podium.”—Dima Slobodeniouk

One of today’s most exciting young conductors, the 24-year-old Jong-Jie Yin is coming swiftly to international attention after undisputedly winning the 11th Grzegorz Fitelberg International Competition for Conductors in 2023.

A string of debuts have ensued across Europe, including NFM Wroc?aw Philharmonic, Poznań Philharmonic, Silesian Philharmonic and Polish Baltic Philharmonic orchestras, followed by immediate re-invitations. Projected engagements in the 2024/25 season include his debuts at the Ludwig van Beethoven Easter Festival in Warsaw, Arthur Rubinstein Philharmonic, Podlaska Opera and Orchestra, amongst others.

At home, Yin regularly guest conducts almost all the orchestras in China, including NCPA, Hangzhou Philharmonic and Xiamen Philharmonic orchestras, to name a few. He is currently the Assistant Conductor of China National Symphony Orchestra, an appointment he has held since September 2023.

Previously, Yin was one of the recipients of the ‘Mention Spéciale’ (Grand Prize vacant) at the 57th Besan?on International Competition for Young Conductors in 2021.

李堅，著名(ming)鋼琴家(jia)、指揮家(jia)、中國音(yin)樂家(jia)協會鋼琴學(xue)會副會長、思啟文化《不止(zhi)空間音(yin)樂季》藝術(shu)總監(jian)。

李堅出生(sheng)于上海一個音(yin)(yin)樂世家，5歲時開始(shi)跟(gen)隨其母，著(zhu)名(ming)小提琴(qin)家俞麗拿學習小提琴(qin)，同時跟(gen)隨著(zhu)名(ming)鋼琴(qin)家洪騰學習鋼琴(qin)。得(de)益于家庭環(huan)境的(de)熏陶，名(ming)師的(de)指(zhi)點和自身(shen)的(de)天(tian)賦，李堅很快就在音(yin)(yin)樂學院附中脫穎而(er)出，在各(ge)大賽事中頻頻獲獎。

1981年，年僅16歲的(de)(de)(de)李(li)(li)堅作為(wei)最年輕的(de)(de)(de)選手參(can)加了(le)(le)(le)在巴(ba)黎的(de)(de)(de)瑪格(ge)麗特·隆(long) - 雅克(ke)·蒂博(bo)國際鋼(gang)琴(qin)(qin)大(da)賽并榮獲大(da)獎(jiang)，改革開放(fang)以來中國在世界(jie)古典音樂(le)舞臺上(shang)的(de)(de)(de)第一次成功(gong)亮相，得到了(le)(le)(le)國內外的(de)(de)(de)高度關(guan)注和(he)歐美各大(da)權(quan)威音樂(le)媒體的(de)(de)(de)爭相報(bao)道。李(li)(li)堅也因此獲得了(le)(le)(le)法(fa)國國家獎(jiang)學(xue)金(jin)和(he)桑松·弗朗索瓦基金(jin)會的(de)(de)(de)贊(zan)助，在巴(ba)黎國立(li)高等(deng)音樂(le)學(xue)院跟隨著名(ming)法(fa)國鋼(gang)琴(qin)(qin)教授皮(pi)埃爾·桑剛學(xue)習(xi)，還(huan)在歐洲贏得了(le)(le)(le)大(da)量的(de)(de)(de)演出機會。《巴(ba)黎世界(jie)報(bao)》盛(sheng)贊(zan)“他的(de)(de)(de)演奏優雅精致(zhi)且(qie)蘊含激情，迷人的(de)(de)(de)音色源(yuan)于(yu)無與倫比的(de)(de)(de)音樂(le)才華”。由(you)日本(ben)TV MAN UNION制作的(de)(de)(de)有關(guan)李(li)(li)堅和(he)來自臺灣的(de)(de)(de)著名(ming)小提琴(qin)(qin)家林(lin)昭亮的(de)(de)(de)紀(ji)錄(lu)片(pian)獲得了(le)(le)(le)日本(ben)1983年度紀(ji)錄(lu)片(pian)大(da)獎(jiang)。

1985年，李堅(jian)(jian)遠赴美(mei)國(guo)柯(ke)蒂(di)斯音樂(le)學院(yuan)隨貝多(duo)芬(fen)第四代(dai)傳(chuan)子(zi)霍索夫斯基(ji)深造(zao)。霍索夫斯基(ji)是這樣評價(jia)這位年輕的(de)才子(zi)：“我可(ke)以預見他正在走向一(yi)個鋼(gang)(gang)琴家(jia)的(de)光輝前(qian)程”； 鋼(gang)(gang)琴大師(shi)魯道夫·塞爾(er)金曾這樣評價(jia)：“他是一(yi)個十足的(de)技巧(qiao)大師(shi)，對樂(le)器的(de)駕馭可(ke)謂完美(mei)。我感受(shou)到(dao)(dao)一(yi)個真(zhen)正鋼(gang)(gang)琴家(jia)的(de)品質”。對于李堅(jian)(jian)來(lai)說，每(mei)一(yi)次舞臺上的(de)演奏都是和(he)作曲家(jia)靈魂的(de)對話(hua)、博弈和(he)祭奠，時(shi)刻準備進入到(dao)(dao)一(yi)種忘(wang)我、無我的(de)巔峰境(jing)界。

1987年(nian)(nian), 李(li)堅(jian)(jian)以(yi)獨奏家(jia)(jia)的(de)(de)(de)身(shen)份與(yu)中國(guo)(guo)(guo)中央樂(le)(le)(le)(le)(le)(le)團合(he)作(zuo)，在(zai)(zai)美國(guo)(guo)(guo)30個城(cheng)市巡演。這位有(you)著超人天賦的(de)(de)(de)年(nian)(nian)輕鋼(gang)琴家(jia)(jia)以(yi)他卓越的(de)(de)(de)技(ji)巧和表現(xian)力吸引了(le)大(da)眾(zhong)的(de)(de)(de)注意并受到了(le)著名(ming)小提琴大(da)師斯特(te)恩的(de)(de)(de)賞識。《紐約時(shi)報(bao)》評論(lun)道“青年(nian)(nian)鋼(gang)琴家(jia)(jia)李(li)堅(jian)(jian)的(de)(de)(de)拉威爾G大(da)調協(xie)奏曲是東(dong)西(xi)方(fang)文明(ming)最璀璨的(de)(de)(de)碰(peng)撞(zhuang)，是法國(guo)(guo)(guo)音樂(le)(le)(le)(le)(le)(le)在(zai)(zai)陌(mo)生(sheng)的(de)(de)(de)東(dong)方(fang)國(guo)(guo)(guo)度(du)之驚艷(yan)倒影”。 每年(nian)(nian)他都在(zai)(zai)歐洲(zhou)、北美洲(zhou)和亞(ya)(ya)洲(zhou)舉辦鋼(gang)琴獨奏音樂(le)(le)(le)(le)(le)(le)會并與(yu)交(jiao)響(xiang)(xiang)樂(le)(le)(le)(le)(le)(le)團合(he)作(zuo)。與(yu)他合(he)作(zuo)過的(de)(de)(de)樂(le)(le)(le)(le)(le)(le)團有(you): 柏林廣播交(jiao)響(xiang)(xiang)樂(le)(le)(le)(le)(le)(le)團、英國(guo)(guo)(guo)皇家(jia)(jia)交(jiao)響(xiang)(xiang)樂(le)(le)(le)(le)(le)(le)團、英國(guo)(guo)(guo)皇家(jia)(jia)BBC交(jiao)響(xiang)(xiang)樂(le)(le)(le)(le)(le)(le)團、法國(guo)(guo)(guo)國(guo)(guo)(guo)家(jia)(jia)交(jiao)響(xiang)(xiang)樂(le)(le)(le)(le)(le)(le)團、美國(guo)(guo)(guo)亞(ya)(ya)特(te)蘭大(da)交(jiao)響(xiang)(xiang)樂(le)(le)(le)(le)(le)(le)團、香(xiang)港(gang)管弦樂(le)(le)(le)(le)(le)(le)團、新加坡交(jiao)響(xiang)(xiang)樂(le)(le)(le)(le)(le)(le)團、中國(guo)(guo)(guo)愛(ai)樂(le)(le)(le)(le)(le)(le)樂(le)(le)(le)(le)(le)(le)團、中國(guo)(guo)(guo)國(guo)(guo)(guo)家(jia)(jia)交(jiao)響(xiang)(xiang)樂(le)(le)(le)(le)(le)(le)團、上海(hai)交(jiao)響(xiang)(xiang)樂(le)(le)(le)(le)(le)(le)團、北京交(jiao)響(xiang)(xiang)樂(le)(le)(le)(le)(le)(le)團、廣州交(jiao)響(xiang)(xiang)樂(le)(le)(le)(le)(le)(le)團等等知名(ming)樂(le)(le)(le)(le)(le)(le)團。

李堅以獨(du)奏家的(de)身(shen)份頻頻出現在(zai)美國(guo)紐(niu)約的(de)林(lin)肯中心-艾弗里·費(fei)雪音(yin)(yin)(yin)樂(le)廳(ting)和(he)(he)艾麗(li)斯·塔(ta)利音(yin)(yin)(yin)樂(le)廳(ting)、卡內基(ji)演奏廳(ting)、華盛頓肯尼迪藝(yi)術中心、芝加(jia)哥交(jiao)(jiao)響樂(le)團音(yin)(yin)(yin)樂(le)廳(ting)、洛杉(shan)磯大使禮(li)堂、維也(ye)納金(jin)色大廳(ting)、巴黎(li)香(xiang)榭(xie)麗(li)舍劇院、東京(jing)三得利音(yin)(yin)(yin)樂(le)廳(ting)、大阪交(jiao)(jiao)響樂(le)廳(ting)和(he)(he)柏林(lin)愛樂(le)音(yin)(yin)(yin)樂(le)廳(ting)等世界(jie)著(zhu)名音(yin)(yin)(yin)樂(le)廳(ting)的(de)舞臺(tai)(tai)上(shang)。1989年(nian)李堅作(zuo)為第一位中國(guo)大陸的(de)音(yin)(yin)(yin)樂(le)家到臺(tai)(tai)灣旅(lv)行演奏，成為了(le)當時報紙、電視臺(tai)(tai)的(de)頭版(ban)、頭條新聞。

李堅(jian)同時也(ye)是一(yi)位活躍的(de)(de)室(shi)內(nei)樂(le)演(yan)奏(zou)(zou)家。他(ta)(ta)的(de)(de)室(shi)內(nei)樂(le)演(yan)奏(zou)(zou)伙伴包括馬友友、林昭亮、安妮·秋子·梅耶斯和(he)竹澤恭子等(deng)著名藝術家。他(ta)(ta)在(zai)(zai)中國現代作(zuo)曲與表演(yan)大(da)賽上(shang)獲得首(shou)獎(jiang)，是紐約音(yin)樂(le)家基金會獎(jiang)金多屆蟬聯得主, 曾獲取美國菲茲多拉奇獎(jiang)，李堅(jian)還曾以最年(nian)輕藝術家的(de)(de)身份(fen)在(zai)(zai)歡迎美國總統(tong)卡特的(de)(de)盛(sheng)大(da)儀式(shi)上(shang)演(yan)奏(zou)(zou)。作(zuo)為一(yi)直傾(qing)心于(yu)室(shi)內(nei)樂(le)演(yan)奏(zou)(zou)的(de)(de)鋼琴(qin)家，2020年(nian)開(kai)始他(ta)(ta)在(zai)(zai)上(shang)海組織舉辦了“私享室(shi)內(nei)音(yin)樂(le)沙龍”系列，并(bing)(bing)于(yu)2021年(nian)秋在(zai)(zai)上(shang)海外(wai)灘原新(xin)天(tian)安堂正式(shi)開(kai)啟(qi)了全面面向公(gong)眾(zhong)的(de)(de)《不止空間音(yin)樂(le)季》。李堅(jian)不僅作(zuo)為演(yan)奏(zou)(zou)家，并(bing)(bing)且(qie)親(qin)自著手于(yu)音(yin)樂(le)會節目的(de)(de)設計和(he)樂(le)曲的(de)(de)改編，讓這個沉寂百年(nian)的(de)(de)建筑重獲新(xin)生(sheng)。這一(yi)項目也(ye)受(shou)到(dao)了廣大(da)聽眾(zhong)的(de)(de)喜愛以及(ji)政(zheng)府和(he)眾(zhong)多媒體的(de)(de)關注。

出于他(ta)(ta)(ta)(ta)對歌(ge)劇(ju)的(de)(de)(de)愛(ai)好(hao)，李(li)堅(jian)(jian)擔(dan)任(ren)過(guo)美(mei)國(guo)新(xin)澤(ze)西州(zhou)州(zhou)立歌(ge)劇(ju)院指揮(hui)(hui)。他(ta)(ta)(ta)(ta)曾經執棒指揮(hui)(hui)了(le)多部世(shi)界(jie)著名歌(ge)劇(ju)，包括威(wei)爾第(di)(di)的(de)(de)(de)《阿(a)依達》和(he)《麥克白(bai)特》，喬(qiao)爾達諾的(de)(de)(de)《安德烈·謝尼(ni)(ni)耶(ye)》，普契(qi)尼(ni)(ni)的(de)(de)(de)《蝴蝶夫人(ren)》，馬斯卡(ka)尼(ni)(ni)的(de)(de)(de)《鄉村騎士》和(he)萊昂(ang)卡(ka)瓦洛(luo)的(de)(de)(de)《丑角》等。2000年底(di)李(li)堅(jian)(jian)參與(yu)創作(zuo)了(le)超大(da)型景觀歌(ge)劇(ju)——威(wei)爾第(di)(di)的(de)(de)(de)《阿(a)依達》，在(zai)(zai)上(shang)海(hai)(hai)八(ba)萬人(ren)體育(yu)場成功(gong)上(shang)演(yan)(yan)。隨后(hou)在(zai)(zai)2002—2008年間擔(dan)任(ren)中(zhong)國(guo)湖(hu)南交(jiao)(jiao)響(xiang)(xiang)(xiang)(xiang)樂(le)(le)(le)(le)(le)團(tuan)(tuan)藝術總監。多年以來，李(li)堅(jian)(jian)指揮(hui)(hui)過(guo)的(de)(de)(de)樂(le)(le)(le)(le)(le)團(tuan)(tuan)有：美(mei)國(guo)紐(niu)約圣(sheng)路克斯交(jiao)(jiao)響(xiang)(xiang)(xiang)(xiang)樂(le)(le)(le)(le)(le)團(tuan)(tuan)、日(ri)本中(zhong)央愛(ai)知交(jiao)(jiao)響(xiang)(xiang)(xiang)(xiang)樂(le)(le)(le)(le)(le)團(tuan)(tuan)、羅馬尼(ni)(ni)亞廣播(bo)交(jiao)(jiao)響(xiang)(xiang)(xiang)(xiang)樂(le)(le)(le)(le)(le)團(tuan)(tuan)，以及中(zhong)國(guo)各大(da)知名交(jiao)(jiao)響(xiang)(xiang)(xiang)(xiang)樂(le)(le)(le)(le)(le)團(tuan)(tuan)。2003年他(ta)(ta)(ta)(ta)參與(yu)英國(guo)皇家愛(ai)樂(le)(le)(le)(le)(le)樂(le)(le)(le)(le)(le)團(tuan)(tuan)在(zai)(zai)北京人(ren)民大(da)會堂新(xin)年音(yin)樂(le)(le)(le)(le)(le)會的(de)(de)(de)制(zhi)作(zuo)和(he)演(yan)(yan)出。他(ta)(ta)(ta)(ta)還作(zuo)為指揮(hui)(hui)率領羅馬尼(ni)(ni)亞廣播(bo)交(jiao)(jiao)響(xiang)(xiang)(xiang)(xiang)樂(le)(le)(le)(le)(le)團(tuan)(tuan)在(zai)(zai)亞洲巡演(yan)(yan)。2017年李(li)堅(jian)(jian)指揮(hui)(hui)巴(ba)黎(li)索邦大(da)學管弦(xian)樂(le)(le)(le)(le)(le)團(tuan)(tuan)在(zai)(zai)法(fa)國(guo)和(he)中(zhong)國(guo)的(de)(de)(de)巡演(yan)(yan)，在(zai)(zai)上(shang)海(hai)(hai)大(da)劇(ju)院等地演(yan)(yan)出貝多芬的(de)(de)(de)《第(di)(di)九交(jiao)(jiao)響(xiang)(xiang)(xiang)(xiang)樂(le)(le)(le)(le)(le)》。    

李堅(jian)自(zi)1995年(nian)(nian)到2001年(nian)(nian)任(ren)教于美國(guo)(guo)(guo)母校柯蒂(di)斯音樂學(xue)院，2009年(nian)(nian)至(zhi)2019年(nian)(nian)在(zai)中國(guo)(guo)(guo)母校上(shang)海音樂學(xue)院擔(dan)任(ren)鋼(gang)(gang)(gang)琴(qin)(qin)系(xi)主任(ren)和教授，并(bing)被上(shang)海市授予“東方學(xue)者”的(de)光榮稱(cheng)號。2019年(nian)(nian)成為上(shang)海視(shi)覺藝術學(xue)院特聘教授。他(ta)也在(zai)多(duo)個國(guo)(guo)(guo)際(ji)(ji)(ji)(ji)(ji)頂(ding)級的(de)鋼(gang)(gang)(gang)琴(qin)(qin)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)中擔(dan)任(ren)評委，其中包(bao)括比(bi)(bi)(bi)利時伊麗莎白女王國(guo)(guo)(guo)際(ji)(ji)(ji)(ji)(ji)鋼(gang)(gang)(gang)琴(qin)(qin)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)、意大(da)利布索尼(ni)國(guo)(guo)(guo)際(ji)(ji)(ji)(ji)(ji)鋼(gang)(gang)(gang)琴(qin)(qin)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)、西(xi)班(ban)牙(ya)桑坦德國(guo)(guo)(guo)際(ji)(ji)(ji)(ji)(ji)鋼(gang)(gang)(gang)琴(qin)(qin)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)、摩納哥鋼(gang)(gang)(gang)琴(qin)(qin)大(da)師國(guo)(guo)(guo)際(ji)(ji)(ji)(ji)(ji)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)、羅馬(ma)尼(ni)亞布加勒斯特國(guo)(guo)(guo)際(ji)(ji)(ji)(ji)(ji)鋼(gang)(gang)(gang)琴(qin)(qin)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)、日本(ben)濱松國(guo)(guo)(guo)際(ji)(ji)(ji)(ji)(ji)鋼(gang)(gang)(gang)琴(qin)(qin)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)、挪威世界之(zhi)最國(guo)(guo)(guo)家鋼(gang)(gang)(gang)琴(qin)(qin)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)、韓國(guo)(guo)(guo)ISANGYUN國(guo)(guo)(guo)際(ji)(ji)(ji)(ji)(ji)鋼(gang)(gang)(gang)琴(qin)(qin)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)、中國(guo)(guo)(guo)國(guo)(guo)(guo)際(ji)(ji)(ji)(ji)(ji)鋼(gang)(gang)(gang)琴(qin)(qin)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)、上(shang)海國(guo)(guo)(guo)際(ji)(ji)(ji)(ji)(ji)鋼(gang)(gang)(gang)琴(qin)(qin)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)、深(shen)圳國(guo)(guo)(guo)際(ji)(ji)(ji)(ji)(ji)鋼(gang)(gang)(gang)琴(qin)(qin)協奏曲(qu)比(bi)(bi)(bi)賽(sai)(sai)(sai)(sai)(sai)(sai)等。

近年樂(le)(le)(le)(le)季(ji)的亮點包(bao)括，自(zi)2019年貝多芬誕(dan)辰(chen)250周年開始了“自(zi)由(you)真(zhen)我”32首(shou)(shou)鋼(gang)琴(qin)(qin)(qin)(qin)奏鳴(ming)曲(qu)全(quan)集系列音樂(le)(le)(le)(le)會的全(quan)國(guo)巡(xun)演(yan)。2023年上(shang)(shang)半(ban)年，李(li)堅(jian)分別(bie)攜(xie)(xie)手(shou)上(shang)(shang)海(hai)交(jiao)響(xiang)樂(le)(le)(le)(le)團(tuan)、廣州(zhou)交(jiao)響(xiang)樂(le)(le)(le)(le)團(tuan)、長沙交(jiao)響(xiang)樂(le)(le)(le)(le)團(tuan)演(yan)繹全(quan)場莫扎特作品并同(tong)時擔(dan)任指揮和鋼(gang)琴(qin)(qin)(qin)(qin)獨(du)奏，獲得業內的極(ji)高評(ping)價。2024年9月起，李(li)堅(jian)「莫扎特27首(shou)(shou)鋼(gang)琴(qin)(qin)(qin)(qin)協(xie)奏曲(qu)全(quan)集計劃(hua)」開啟，計劃(hua)于2024/25、2025/26兩個樂(le)(le)(le)(le)季(ji)中(zhong)完(wan)成27首(shou)(shou)協(xie)奏曲(qu)。2024/25樂(le)(le)(le)(le)季(ji)，李(li)堅(jian)將攜(xie)(xie)手(shou)長榮交(jiao)響(xiang)樂(le)(le)(le)(le)團(tuan)、寧波交(jiao)響(xiang)樂(le)(le)(le)(le)團(tuan)、中(zhong)國(guo)愛樂(le)(le)(le)(le)樂(le)(le)(le)(le)團(tuan)、上(shang)(shang)海(hai)交(jiao)響(xiang)樂(le)(le)(le)(le)團(tuan)、廣州(zhou)交(jiao)響(xiang)樂(le)(le)(le)(le)團(tuan)、貴陽交(jiao)響(xiang)樂(le)(le)(le)(le)團(tuan)、成都交(jiao)響(xiang)樂(le)(le)(le)(le)團(tuan)完(wan)成首(shou)(shou)輪14首(shou)(shou)鋼(gang)琴(qin)(qin)(qin)(qin)協(xie)奏曲(qu)的演(yan)繹。

李堅為EMI、BMG、Audiofon和EliteMusic等(deng)唱片(pian)公司(si)錄制(zhi)發行了多張專(zhuan)(zhuan)輯(ji)。在(zai)近(jin)期內的計劃包括了錄制(zhi)全套貝多芬32首(shou)鋼(gang)琴奏鳴(ming)曲、法國(guo)印象(xiang)派作品(pin)專(zhuan)(zhuan)輯(ji)等(deng)。

Li Jian, Pianist & Conductor

Li Jian is a renowned pianist and conductor. He is also the Vice President of the Piano Society of the Chinese Musicians Association and Artistic Director of “Spaceless Chamber Series”.

Born into a musical family in Shanghai, Li Jian began his music studies at age five, studying piano with Hong Teng, and violin with his mother, the noted violinist Yu Lina. He later continued his piano study with Hong Teng at the middle school of the Shanghai Conservatory of Music.

At 16, Li Jian was the youngest competitor and Grand Prize Winner in the Marguerite Long - Jacques Thibaud International Piano Competition in Paris - an honor which led to the invitation from the French Government and the Samson Fran?ois Foundation for him to study at the Conservatoire National Supérieur de Musique et de Danse de Paris, with Pierre Sancan, then Li started his performing career in Europe. Praised by Le Monde, “He playing was as delicate as it was passionate, and his enticing tone-color gave full justice to his incomparable musical talents.” The documentary about Li Jian and famous violinist Cho-Liang Lin, produced by TV MAN UNION, was awarded as the Documentary of the Year of 1983 in Japan.

In 1985, Li Jian studied at the Curtis Institute of Music, with the legendary Mieczyslaw Horszowski, and praised by Horszowski as “a solo performer facing a brilliant career”; praised by Rudolf Serkin as “a brilliant virtuoso and apparently in complete control of the instrument” of “his extraordinary qualities as a pianist”.

In 1987, Li Jian toured with China National Symphony Orchestra in 30 cities of United States. His artistry was acclaimed by audiences and the renowned violinist Issac Stern. Hailed by New York Times “The most fascinating meeting of East and West came in Ravel’s Concerto in G with the young pianist Li Jian... What an opportunity to learn it was - this remote and strangely beautiful performance bringing from a great distance fresh new reflection.” Li Jian’s solo engagements have included appearances with the Berlin Radio Symphony, Royal Philharmonic Orchestra, the BBC Concert Orchestra, Orchestre national de France, Atlanta Symphony Orchestra, Hong Kong Philharmonic Orchestra, Singapore Symphony Orchestra, China Philharmonic Orchestra, Shanghai Symphony Orchestra, Beijing Symphony Orchestra, Guangzhou Symphony Orchestra.

As a recitalist, he has performed in such prestigious venues as Avery Fisher Hall, Alice Tully Hall and Carnegie Hall in New York, the Kennedy Center in Washington D.C., Orchestra Hall in Chicago, Ambassador Auditorium in Los Angeles, the Musikverein in Vienna, the Theatre des Champs-Elysées in Paris, Suntory Hall in Tokyo, Symphony Hall in Osaka and Berlin Philharmonic Hall. In 1989, as the first musician from Mainland, Li Jian visited Taiwan to perform, which became the headline news of newspapers and TV stations.

Sought after also as an active chamber musician, Li Jian has shared the stage with numerous artists. Collaborative highlights included performances with Yo-Yo Ma, Cho-Liang Lin, Anne Akiko Meyers, and Kyoko Takezawa, among others. He won the first prize in the China Composition and Performance Competition, and is a multiple awards winner of the Musicians Emergency Fund of New York. Li Jian played as the youngest artist at a grand ceremony welcoming the then US President Jimmy Carter. As a pianist who has always been devoted to chamber music, he has organized a series of “Private Chamber Music Salons” in Shanghai starting from 2020, and “Spaceless Chamber Series” for public since 2021 at Shanghai New Union Church on the Bund. Li Jian not only performs regularly in these series, but also devotes to the programming of the series and arranging the music. This project is highly acclaimed by audiences and media.

As conductor, Li Jian was Artistic Director and Conductor of the Hunan Symphony Orchestra of China from 2002 to 2008, after being associate conductor of the New Jersey State Opera in America from 1999 to 2002. His repertoires include Aida, Macbett, Andrea Chénier, Madame Butterfly, Cavalleria Rusticana, Pagliacci and etc. He was associate conductor of the 2000 production of Verdi’s “Aida” in Shanghai Stadium, which was attended by over 100,000 audiences. Over the years Li Jian has conducted various orchestras, such as the Orchestra of St. Luke’s of New York, the Central Aichi Symphony Orchestra of Japan, the Romanian Radio Symphony Orchestra, as well as many major orchestras in China. He was chief conductor of the Romanian National Radio Symphony Orchestra on their extensive tour of Asia.  In 2017,  Li Jian toured China with Ch?ur & Orchestre Sorbonne Université de Paris, conducting Beethoven’s Symphony No.9, in venues such as the Shanghai Grand Theater.

In addition to his active performing, Li Jian has served on the faculty of the Curtis Institute of Music from 1995 to 2001. From 2009 to 2018, he was Director and Professor of Piano Department of Shanghai Conservatory of Music. He has been the Distinguished Professor of Shanghai Institute of Visual Arts since 2019. Li Jian has also served as a jury member of the Queen Elisabeth International Piano Competition, the Busoni International Piano Competition, the Santander International Piano Competition, the Hamamatsu International Piano Competition, the China International Piano Competition, the Shanghai International Piano Competition, and the Top of the World International Piano Competition.

The highlights of recent seasons include: Since 2019, he started to tour Beethoven’s Thirty-Two Piano Sonatas in China; in 2023, Li Jian collaborated with Shanghai Symphony, Guangzhou Symphony and Changsha Symphony as both conductor and piano soloist and performed Mozart’s Piano Concertos which received great reviews from music critics; since September 2024, Li Jian starts his enormous  plan of the complete cycle of Mozart’s 27 Piano Concertos within 2024/25 and 2025/26 seasons, among which 14 concertos will be accomplished in 2024/25 season with Evergreen Symphony, Ningbo Symphony, China Philharmonic, Shanghai Symphony, Guangzhou Symphony, Guiyang Symphony and  Chengdu Symphony and more to come.

Li Jian has made more than a dozen of albums for various recording labels such as EMI, BMG, Audiofon, and Elite Music. His future recording plan includes Beethoven’s Thirty-Two Piano Sonatas and French impressionist works among others.

Press Reviews

媒體評論

He is indeed a brilliant virtuoso and apparently in complete control of the instrument. I am aware of his extra ordinary qualities as a pianist.

他(ta)是一(yi)個(ge)十足的(de)技(ji)巧大(da)師，對樂(le)器的(de)駕馭可謂完美(mei)。我感受(shou)到一(yi)個(ge)真正(zheng)鋼琴家的(de)品質(zhi)。

Rudolf Serkin

奧(ao)地利鋼琴大師魯道夫·塞(sai)爾金

In my estimation he faces a brilliant career as a solo performer.

我可(ke)以預見他正在(zai)走向(xiang)一個鋼(gang)琴(qin)家的光輝前程。

Mieczyslaw Horszowski

波(bo)蘭鋼琴家米(mi)奇斯瓦夫(fu)(fu)·霍(huo)素夫(fu)(fu)斯基

He playing was as delicate as it was passionate, and his enticing tone-color gave full justice to his incomparable musical talents.

他(ta)的(de)(de)演(yan)奏(zou)優雅精致(zhi)且(qie)蘊(yun)含激情，迷人(ren)的(de)(de)音(yin)(yin)色源于無與倫比的(de)(de)音(yin)(yin)樂才(cai)華。

Le Monde

法國《世界報》

The most fascinating meeting of East and West came in Ravel’s Concerto in G with the young pianist Li Jian…What an opportunity to learn it was - this remote and strangely beautiful performance bringing from a great distance fresh new reflection.

鋼琴家(jia)李堅的(de)(de)拉威(wei)爾G大調協奏(zou)曲(qu)是東西方文明(ming)最璀璨的(de)(de)碰撞……這陌生而又無比驚(jing)艷的(de)(de)樂曲(qu)在遙遠的(de)(de)彼岸新穎的(de)(de)倒(dao)影。

The New York Times

《紐約時報》

Li Jian played with real panache.

李堅的表演霸(ba)氣(qi)十足(zu)。

Chicago Tribune

《芝加哥論壇報》

Soloist Li Jian never allowed the piano line to disppear, however, making sure its sharp contours were clear even amid the fullest orchestral accompaniment. Phrases where volume shifted from loud drama to quiet serenity were well-shaped, with pauses more like suspended breath than silence.

李堅的(de)(de)(de)獨(du)奏從來不會(hui)被(bei)淹沒，即便是(shi)在(zai)交響樂的(de)(de)(de)齊奏中(zhong)，那棱角鮮(xian)明的(de)(de)(de)旋律也會(hui)無比清晰。樂句從戲劇性(xing)的(de)(de)(de)嘹亮過渡(du)到平(ping)和的(de)(de)(de)靜怡，就算是(shi)中(zhong)間的(de)(de)(de)停頓(dun)，也像(xiang)是(shi)呼吸的(de)(de)(de)延續，而非沉默。

Chicago Sun-Times

《芝加哥太陽時報》

Sober, gentle and unusually linear reading of Mozart's Fantasy in D minor was followed by a performance of Beethoven's Sonata in A flat, Op.110, that expertly melded the work's mixture of easy lyricism and cosmic abstraction... this was thoughtful, intensely musical playing.

緊接(jie)(jie)(jie)著清晰、溫柔、線條流暢的(de)莫扎特D小調幻(huan)想曲，是貝(bei)多(duo)芬的(de)降A大調奏鳴曲，Op.110。這(zhe)是多(duo)么自信(xin)的(de)排序(xu)！從接(jie)(jie)(jie)地氣的(de)清新(xin)抒情(qing)轉接(jie)(jie)(jie)到宇宙般的(de)恢弘(hong)……地道而震撼的(de)表(biao)演(yan)。

Gramophone

《留聲機》

Video Links

視頻鏈接

Beethoven: Sonata No.26 in E flat, Op.81a “Les Adieux”

Piano: Li Jian

貝多(duo)芬: 降E大(da)調(diao)第二(er)十(shi)六號鋼琴(qin)奏(zou)鳴曲，作品81a - “告(gao)別(bie)”

鋼琴：李堅

//v.qq.com/x/page/l0883sl0bxt.html

Beethoven: Sonata No.17 in D minor, Op.31 No.2

Piano: Li Jian

貝多(duo)芬(fen): D小調第十七號(hao)鋼琴奏鳴曲，作(zuo)品31之2 - “暴風雨”

鋼琴：李堅

//v.qq.com/x/page/z08834yyrap.html

Schumann: Traumerei

Piano: Li Jian

舒曼：夢幻曲

鋼琴：李堅

//v.qq.com/x/page/d0662d595vc.html

Mozart: Die Entführung aus dem Serail, K.384: Overture

Conductor: Li Jian, Shanghai Symphony Orchestra

莫扎特(te)：后宮誘逃，K.384：序曲

指揮(hui)：李(li)堅，上海交響樂(le)團(tuan)

//v.qq.com/x/page/o351409e3cj.html

Mozart: Piano Concerto No.27 in B-flat Major, K.595

Conductor & Piano: Li Jian, Shanghai Symphony Orchestra

莫扎特：降B大調第二十七(qi)鋼(gang)琴協奏曲，K.595

指(zhi)揮&鋼(gang)琴(qin)：李堅，上海(hai)交響樂團

//v.qq.com/x/page/x3514rz9fnc.html

Chopin: Waltz No.19 in A Minor, B.150

Piano: Li Jian

肖邦(bang)：A小調第(di)十九圓舞曲，B.150

鋼琴：李堅

//v.qq.com/x/page/s35141vb1u6.html

Mozart: Die Entführung aus dem Serail, K.384: Overture

Conductor: Li Jian, Guangzhou Symphony Orchestra

莫扎特：后(hou)宮誘(you)逃(tao)，K.384：序(xu)曲

指揮：李堅，廣州交響樂團

//v.qq.com/x/page/f3516ndx4aj.html

Mozart: Piano Concerto No.27 in B-flat Major, K.595

Conductor & Piano: Li Jian, Guangzhou Symphony Orchestra

莫扎特：降B大調第二(er)十(shi)七鋼琴協(xie)奏(zou)曲，K.595

指揮&鋼(gang)琴：李堅，廣州交響樂團