法語(yu)音樂劇《羅(luo)密歐(ou)與朱麗(li)葉(xie)》蘇州站(zhan)演出信息

柏遼茲《羅密歐與朱麗葉》

BERLIOZ ROMéO ET JULIETTE

2022.10.22（周六/SAT）19:30

蘇(su)州文化藝術中心二樓/金雞湖音樂廳 Jinji Lake Concert Hall SCAC 2nd Floor

票價：580/380/280/180/80

指  揮 許  忠 | Conductor XU Zhong 
女中音 董  芳 | Mezzo Soprano DONG Fang
男高音 于浩磊 | Tenor YU Haolei
男低音 余  楊 | Bass YU Yang 
上海歌劇院合唱團 Shanghai Opera House Chorus

柏遼茲 《羅密歐與朱麗葉》

BERLIOZ ROMéO ET JULIETTE

觀演須知

1.本場(chang)演出(chu)全長約81分鐘，無中(zhong)場(chang)休息。

2.本場(chang)演出(chu)適合(he)8歲以上人士觀看。

3.金(jin)雞湖音樂廳入場身高要求(qiu):1.3米(mi)（兒童項(xiang)目除外）。

NOTICE TO AUDIENCE

1. DURATIONApproximately 81 minutes without intermission.

2.  SUGGESTED AGE 8 and above.  

3.  Minimum Height For Children :1.3m (Jinji Lake Concert Hall). Except For Performances Specially Arranged For Children.

《羅密歐與朱麗葉》是一(yi)個(ge)我們耳熟(shu)能詳的故事，在不同時期的藝術領域都有佳作(zuo)被創作(zuo)出(chu)來。

埃克托·柏遼茲(zi)在(zai)第(di)一次接(jie)觸(chu)到(dao)(dao)莎(sha)士比亞的(de)(de)(de)(de)悲劇(ju)時(shi)，就(jiu)萌(meng)生(sheng)了根據羅(luo)密歐(ou)與(yu)朱麗葉(xie)創作音(yin)樂作品的(de)(de)(de)(de)想法，但直到(dao)(dao)他的(de)(de)(de)(de)的(de)(de)(de)(de)熱心(xin)(xin)支持者傳奇人物帕(pa)格尼尼慷慨資助的(de)(de)(de)(de)20000法郎，這個(ge)(ge)作品才得以推(tui)動。這部(bu)作品是一部(bu)戲劇(ju)交(jiao)響(xiang)曲(qu)，它的(de)(de)(de)(de)演出除了交(jiao)響(xiang)樂隊(dui)外，還(huan)(huan)包含了獨唱(chang)(chang)與(yu)合(he)唱(chang)(chang)。它并不是音(yin)樂會形式的(de)(de)(de)(de)歌劇(ju)。它的(de)(de)(de)(de)結構(gou)龐大，獨唱(chang)(chang)、合(he)唱(chang)(chang)與(yu)樂隊(dui)表現互為(wei)穿插，最后一段有(you)大段的(de)(de)(de)(de)朗誦調與(yu)詠(yong)嘆調。在(zai)結構(gou)和音(yin)樂上，《羅(luo)密歐(ou)與(yu)朱麗葉(xie)》受到(dao)(dao)貝多芬第(di)九(jiu)交(jiao)響(xiang)曲(qu)的(de)(de)(de)(de)影響(xiang)很大，不僅在(zai)于獨唱(chang)(chang)和合(he)唱(chang)(chang)的(de)(de)(de)(de)使用，還(huan)(huan)在(zai)把(ba)聲(sheng)樂部(bu)分(fen)集中在(zai)結尾，在(zai)管弦樂編配的(de)(de)(de)(de)方面也(ye)多有(you)相似之處。這是柏遼茲(zi)在(zai)創作野心(xin)(xin)高峰時(shi)期的(de)(de)(de)(de)作品，挑戰了交(jiao)響(xiang)樂團的(de)(de)(de)(de)能力極限，展示出在(zai)音(yin)樂色彩的(de)(de)(de)(de)嘗(chang)試還(huan)(huan)是在(zai)個(ge)(ge)人技術方面的(de)(de)(de)(de)出眾才能，它令作曲(qu)家獲得了巨大的(de)(de)(de)(de)成功。

ROMEO AND JULIET is one of the most familiar stories, with masterpieces being composed in the arts at different times.

The idea for a musical work based on ROMEO AND JULIET was conceived by Hector Berlioz when he first encountered Shakespeare's tragedy, but it was not until a generous grant of 20000 francs from his ardent supporter, the legendary Paganini, that he was able to move forward. This work is a symphonie dramatique, a large-scale choral symphony that is performed with soloists and chorus in addition to the symphony orchestra. It is not an opera in concert form. It has a large structure, with soloists, chorus and orchestra performances interspersed, and large recitatives and arias in the final section. In terms of its structure and music, Berlioz’s ROMéO ET JULIETTE is heavily influenced by Beethoven's Symphony No. 9, not only in the use of soloists and chorus, but also in the concentration of vocal parts at the end, and in the orchestration. This is a work by Berlioz at the height of his creative ambition, both in terms of his attempts at musical color and his individual virtuosity, which made it a great success for the composer.