舞(wu)劇《十面埋伏》貴陽(yang)站演出(chu)信息

十面埋伏

楚歌四起

不一樣的時空下

從未停止的博弈

Under Siege

Resounding with

the songs of Chu Kindom all around.

In a different time,

an endless battle unfolds.

這是一個古老的故事

發生在遙遠的過去

這是一個全新的故事

就發生在今天

這是一個漫長的故事

從來就未曾停止……

恐懼是古老的

恐懼又是嶄新的

欲望是古老的

欲望也是嶄新的

從古代到今天

從中土到世界

是欲望催生了恐懼

還是恐懼滋養了欲望

你埋伏著我

我埋伏著你

以正義的名義

以生存的名義……

我圍困了我

你圍困了你

以愛情的名義

以理想的名義……

從古代到今天

從中土到世界

十面埋伏的故事

在平行的時空里

反反復復上演

This is an ancient story

From a time long ago

This is a new tale

Taking palce today

This is a long story

That has never ended

Fear is ancient

and it is present

Temptation is ancient

and also present

From ancient times to the present

from China to the world

Is it temptation that breeds fear

or fear fosters temptation

I ambush you

and you ambush me

In the name of justice

in the name of survival…

I lay siege upon myself

you lay siege upon yourself

In the name of love

in the name of dreams…

From ancient times to today

from China to the world

The story of Under Siege reenacting itself

Across space and time

葉錦添

傳(chuan)統(tong)生化在(zai)(zai)一(yi)段濃稠的(de)歷(li)史中(zhong)，漸漸消失其(qi)原神，舞(wu)者(zhe)踏在(zai)(zai)舞(wu)臺上(shang)，重(zhong)新召喚那失落的(de)聲音，外面(mian)太(tai)嘈雜，重(zhong)心潰散地散落在(zai)(zai)不(bu)確定的(de)方圓，那里雖然黑暗，但不(bu)平靜，一(yi)幕(mu)幕(mu)的(de)人間鬧劇暴(bao)露其(qi)間，顯示了一(yi)種惡的(de)根源，在(zai)(zai)那里人心呢喃，在(zai)(zai)不(bu)確定的(de)風(feng)暴(bao)中(zhong)爭取著(zhu)安全的(de)位置，趨吉避(bi)空，了斷自己的(de)恩仇，建立自己的(de)霸業，乾坤顛倒，幻(huan)象重(zhong)生。

  重回(hui)傳(chuan)統(tong)的(de)(de)腳(jiao)步，聆聽(ting)那(nei)種節奏與聲音在空間(jian)中流蕩，熟悉(xi)又(you)陌生，卻步步為營，雖一片廣闊的(de)(de)天地，卻埋藏在幽暗的(de)(de)叢林間(jian)，忽然豁然開(kai)朗(lang)。但在那(nei)景象到(dao)達之前，還有(you)一條黑暗的(de)(de)走道。他們(men)(men)要求我們(men)(men)的(de)(de)身體(ti)全神貫注，聆聽(ting)那(nei)些潛流的(de)(de)聲音，重新(xin)在自(zi)己的(de)(de)身體(ti)找其形狀，流淌著疏密聚散的(de)(de)節奏，回(hui)歸(gui)傳(chuan)統(tong)的(de)(de)路上(shang)已不(bu)再傳(chuan)統(tong)，它已流進生命延續(xu)的(de)(de)血脈里(li)。

踏入(ru)了(le)二十一世紀(ji)，《十面埋(mai)伏》在(zai)現(xian)代(dai)意義上(shang)豐(feng)富了(le)傳(chuan)統表達的(de)語言(yan)，楊麗萍(ping)的(de)陣(zhen)營加入(ru)了(le)生力軍，進入(ru)這(zhe)個巨大的(de)工程中，各施(shi)其技，到達這(zhe)個回(hui)歸的(de)漩(xuan)渦里，試驗(yan)創(chuang)造，對未來(lai)找尋(xun)傳(chuan)統交匯出新(xin)的(de)啟發(fa)。

Tradition seems to be losing its core meanings as it develops through history. Dancers are recalling such lost voices as they move on stage. Elements in the universe lose themselves and create limitless noises in history. There is darkness and uneasiness. Humans enact their temptations repeatedly, showing the source of evil. In there, people fighting for their positions of safety, victories, successes, jealousy, revenges, power and destiny. The universe is full of images and actions of complexity and struggles.

Searching for the path of tradition, listening to the echoes of history flowing in the air. The route to blue sky is hidden in the forests and mountains before it reveals itself. This is a slow process in the darkness before the destination is reached. We are required to concentrate and to focus on the rhythm of sound and movements hidden in our bodies and blood. The path to tradition is not the traditional way, it is nested inside our bodies and souls.

Many new talents have jointed Yang Liping to the 21st century to create “Under Siege(the full story of Farewell to My Concubine )”,searching for new ways to express tradition and history in this modern world. This is a tremendous project where they search, experiment and create new expressions and ideas for the search of traditions in the future.

 Tim Yip

(2014 October in Kunming)